Electronic Tonalities, by A.P. Felix

Electronic Tonalities

by A.P. Felix

supported by

Kj Felix is a genius. Buy this.

	/

Digital Album
Streaming + Download

Includes high-quality download in MP3, FLAC and more. Paying supporters also get unlimited streaming via the free Bandcamp app.

Purchasable with gift card

name your price

You own this
Full Digital Discography Full Digital Discography

229

releases

Get all 229 I had An Accident releases available on Bandcamp and save 90%.

Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Dangerous II (Still Dangerous), Super Villian, OSOM 2, OSOM, Respectfully, Eff Yoo, Persona Non Grata, The Path, The Lion's Share Instrumentals, and 221 more. , and , .

Purchasable with gift card

$176.80 USD or more (90% OFF)

You own this
c36
Cassette + Digital Album
Limited to 60 clear cassettes

Includes unlimited streaming of Electronic Tonalities via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.

Sold Out

	1.	Crystal Tuning Stability 04:46
	2.	Tempo Cave 02:44
	3.	Rabbit Hair 04:44
	4.	Busy At Manhattan Research 04:26
	5.	Raymond's Playground 05:50
	6.	Triangle Tripod 05:31
	7.	Jungle Show Time 06:16

about

Inspired by electronic components and the early history of electronic music/sound, A.P. Felix constructs Electronic Tonalities. The 37 minute experiment pays tribute to the pioneers of the genre and is programmed on modular synthesizers and other hardware synthesizers. The end result features blips of atmospheric waves and tones that gently dance with layers of synth and beats. Felix masters the modular components and develops a rare style of historical significance.

A.P. Felix, aka Andrew Felix, is from Los Angeles, CA.

"Superchrome" tape was used in making this album.

credits

released July 9, 2013

Art: The concept for the art on this project came by accident. A.P. Felix wanted a clear tape. That part was easy enough, although Justin decided to buy the clear tapes from the UK which meant they cost twice as much as what they needed too, however they are loaded with "super chrome" so I guess thats good. Either way, Justin had found transparency paper at his office and suggested the paper be used for the j-card, creating that "clear" look you can clearly see. Felix kept the art simple with three finger prints for the cover. Justin had originally planned on using his own finger prints on the cassettes as well, but after the painstaking difficulty with hand stamping "electronic tonalities" with a messy white ink, enough was enough! Needless to say the overall product turned out amazing.